BizVid is often hired to provide video production services to companies holding conventions, symposiums, or meetings here in San Diego, California. Our production services take on many forms, and we’re happy to share of few of those with you now. Read more →
BizVid Communications was selected to provide production services for the documentary titled “Quest for Truth: The Israeli / Palestinian Conflict.” The vision for the project and the entity we worked for is the United Kingdom organization, Generation2generation. Read more →
Welcome to another in a series of Adobe Premiere Pro video tutorials produced by BizVid Communications, a leader in San Diego video production services for business and industry. Today you will learn how to create a title using Adobe Premiere Pro.
First, access the type tool by selecting the keyboard shortcut, “control T” on the keyboard. After accessing the type too, a window is opened in the program monitor and that’s where you can type any text. You can also access the type tool by selecting it in the tool bin, then click inside the monitor. Double click the box and type your information. Next, place the text where you want it by clicking the text and dragging it into position.
Now we’re going to add a background behind the text. In the tool box, select the dropdown in order to access the rectangle. Next, click and drag the rectangle around the text. Let’s click the“graphics” tab in order to open the Essential Graphics window, which is the place where all text editing happens.
In the right column, there are two tabs; select the “edit” tab. This is where all any changes can be made. Let’s start with the text by clicking and dragging the text layer above the shape layer. Once done, the text can be edited in a variety of ways: changing font, color, size, kerning, or whatever. For this demo, we’ll use the Gotham font and add a drop shadow to the text.
To change the color of the shape, double click the “fill” box in order to open the color palette. We’ll add a second shape to our example, in order to give it a little more visual interest. Return to the rectangle and click and drag around the text.
Once everything looks good, we’ll “pin” everything together so that noting moves independently. Once everything is “pinned”, we can add more text without having to rebuild all of the boxes.
If you wish to align and transform this box, go back to the “Editing” mode and locate the title. If you want to create another text graphic that features the same design but with different text, simply hold the “Alt” key down, then click and drag the box to a different location. After you’ve moved the box to a new location, you can then change the text.
Unlike earlier versions of Adobe Premiere Pro (versions prior to 2019), the changing of words in one text box will not affect any other text box. Additionally, when you create any text, you only find them on the time line; they will not be in the Project section.
Now you should have a great title for your Adobe Premiere Pro project. If you have questions, please feel free to leave a comment here or on our YouTube channel.
You have seen this “catastrophe-in-waiting” in nearly every social and personal environment: marriage, other personal relationships, and even business partnerships. The left-brain “structure” moguls are at odds with the right-brain “creatives” to see who runs this or who leads that.
Our blog has been written to offer a moment of clarity and inspiration within this very dynamic. At its conclusion, we hope that the insights will improve your company’s odds of success.
The left-brain mentality: If you have a strategic reason behind every action. If you spend a great deal of time mapping out every business strategy and setting up just the right people and situations to maximize your likelihood of success, congrats, you are a left brainer.
The right-brain mentality: Even if you’ve got the goods and the knowhow, the “same old, same old” strategies of plodding your way to success lack the flash and flare of creativity. Of standing out. Or burning out. Congratulations, you’re a right brainer.
Activating balanced relationships: My partner and I are in the business of creating video to tell our clients’ stories. We work with the big companies and the small guys. Over many years, we have learned to thrive in that delicate fulcrum of left, right, center.
In the end, neither one of the two viewpoints should ultimately win out. If the client ultimately feels that their best interest has been accomplished, then success and successful relations happen. This is usually accomplished with just the right balance of give and take.
My partner knows production stuff. He has ten Emmys to his credit and prefers getting stuff systematically done without wasting much time chatting or strategizing. He is disciplined in the business acumen with excellent follow through and consistency. He is a left-brain genius.
I know video production from a less cerebral, more sensory perspective. It is directly tied to the people who hired us. Informed and interactive clients can also help insure the success of a project. My approach would be, “What do you think about this look?” Or, “Is there a better way for the topic to be verbally or visually presented?” Sometimes, I’m sure that my interjections slow the progress of my partner. Equally as often, my partner’s interjections keep us on time and within budget.
My business partner’s left-brain tendencies have proven successful for him in the past. And, independently, my right brain tendencies have garnered good client successes.
Bottom line is we tend to have more happy clients together than we do independently. The moral of the story is that it is worth the effort of discover your workmate’s strengths and vigilantly seek to blend his or her best with your own. There is an old proverb that says, “If one can chase a thousand, two can chase ten thousand.” Pride aside, it can be more fruitful together.
Welcome to another BizVid Communications video tutorial. The title of today’s Vlog is “How to Blur a Moving Subject in Premiere Pro.” This video is an update to one I produced a few years ago called “How to Blur Faces in Premiere Pro.”
The two ways I use to blur a subject are “Gausian Blur” or “Mosaic.” Today, I will show you both because the process is different for each. Let’s get started. I placed in the timeline a proud US Marine walking to meet another person but I’d like to blur her face. First I will use the “Gaussian Blur” method.
In the Effects Panel I’ll type in the word “Blur” and Premiere will reveal all of the blur options available. To be clear, you can use any of the “Blur’s” listed as they all look a little different. But today, I’ll start with “Gaussian Blur” then show you, “Mosaic.” Next, I’ll place the“Gaussian” effect onto the video clip. I can do this by double clicking the effect or, dragging it onto the clip.
Next, I need to select the mask tool that will be used to highlight the specific area to blur. The’re three options: “Elipse,” “4 Point Polygram,” or the “Pen.” But, because I want to track and blur a face, I will use the “Elipse” mask. As soon as I click on it, it appears in the program window. Be sure that your play head is at the point where you want the blur to begin. At this point you don’t see any blurring and won’t until I add it. If I were to add it now, it would be difficult for me to precisely form the ellipse around the face.
To form the ellipse, I will use these little square handles. Once formed the way I want it, I will add the blur by increasing this number to about the 50 mark. Obviously you can choose whatever degree of blurriness you want. I’ll also add a slight “feather” so that there are no hard edges.
Next I’ll begin the mask tracking process. I can do that one frame at a time like this….or, by letting Premiere do it automatically like this. The program is pretty good about keeping a precise track. If it does start to go awry, you can stop the progress and manually adjust, then start again. One the tracking finishes, give your video a watch and see how it your “Gausian Blur” turned out.
The other method I talked about was using a mosaic to blur the subject. So, I’ll type in “Mosaic” then double click to add it to the clip. As you can see, unlike the “Gaussian Blur,” the “Mosaic” applies the effect to everything and It’ll stay that way until I select a masking tool. Again, I’ll use the “Ellipse” mask. Next, I’ll reduce the mosaic effect to a point where I can more easily shape the ellipse around the face. I’ll do that right here at “Horizontal” and “Vertical” blocks.
Next, I’ll use the same procedure to form the ellipse as shown earlier in this tutorial. Now that I’m done forming, I will add the mosaic effect. Next, I’ll start the mask tracking…….and here’s the finished result. As with “Gaussian Blur,” If you have several points on a clip that need blurring, simply keep applying the “Ellipse” or any of the three masks as many times as necessary like this. So, I hope this tutorial has been helpful. Be sure to subscribe and also visit the BizVid Communications website to see the type of work we produce. Thanks again and happy editing.
A proven strategy for maintaining longevity in your business, and in life, is measured by one’s willingness to “go the extra mile”. Research has consistently shown that people (clients, customers, anybody) tend to incorporate hard-to-quantify components into their decision making.
An important decision may come down to intangible qualities such as the likability of a person, or perhaps having some arbitrary connection based on a hobby, or movie, or maybe having friend in common. These intangible benefits can often “seal the deal” in both a metaphorical and a literal sense.
Unknown variables are out of our control, but there is one important personality trait that each of us can intentionally improve, and that is our ability to “go the extra mile”. If you develop the trait of always going the extra mile, it can make the difference between having a profitable business or struggling to survive.
How does a person learn to “go the extra mile”? A wise person once shared this process with us and now we’re going to pass it along to you.
The process begins with intentionality. Start by taking a thought and then think it fully through so that you reach a decision. Once you have your decision, take action to turn that decision into a reality. If you continually take action based on intentional decisions, you’ll begin to form a habit. Finally, once others start to notice your habit, you’ll realize that you’ve just developed a character trait.
The simple version looks like this:
Thought > Decision > Action > Habit > Character
When people know you’re a person who will go the extra mile on their behalf, you will suddenly become known as a dependable person. Dependable people are invaluable in business, since it provides extra assurance that the job will be done right, the first time.
Professional athletes will tell you that when an action is repeated frequently enough, it becomes second nature. As it is in sports, so it is in business. A person who has repeated a winning action often enough has that action ingrained in them, so that it becomes second nature. This allows the individual to transfer the energy that had been used to repeat a task, diverting it elsewhere to further benefit the end result. We’ll call this step “becoming habitual” about an action or activity.
When you become known for “going the extra mile” in all you do, your reputation will precede you and, as a result, business will find you. Relationships will find you. In addition to helping others find you, by going the extra mile in all you do, you will find life-long satisfaction in the profess of becoming the best you can be.
Engage the benefit of always “going the extra mile.” When your company has this as an element in your business strategy, you’ll see that “it” factor will consistently drive success and satisfaction your way.
Today I’m going to show you how to use Adobe Audition to create a seamless music track customized to whatever length you want.
Before I discovered the technique I’m about to show you, I used to waste a lot of time trying to get a seamless loop of music: I’d lay the music track in the time line, cut it in half, drag the ending to the end of the video, then drag the left side back to the cut, add a cross dissolve and hope it sounded seamless. If not, I would play around with it until it worked. All of that process took a lot of guesswork and time. Thankfully, there’s a much easier way.
In this example, it’s worth pointing out that I subscribe to Adobe Creative Cloud so my versions of Premiere Pro and Adobe Audition are up to date.
In the video embedded above, I have a talking-head segment that is 3:49 long, but my music cut is only two minutes thirteen second. If I played the existing music track under that video clip, the music would stop well before the video did, and that’s distracting to the person viewing the video. Let’s make our audio track match the length of our video clip
First, determine the length of your project. In my case, my project 3:49 so that’s the length of time I need my music to be but the track I have is only 2:13. So let’s make a seamless loop timed to 3:49. Next, go to “Edit” and scroll to “Edit in Adobe Audition” and click “Sequence.” Next, name it what you want. I’ll name this “Loop Track” then click “OK.” That opens Adobe Audition and imports the audio tracks from your Premier Pro project.
Next, I’ll create a new multitrack session. So, go to “file > new > multitrack session” and click. I’ll name it “music loop track” and click “ok.” Next, in the “files” section, find the music track and drag it into track one of the multitrack session. Next, go to the “properties” tab on the left side. If it’s not visible, go to “Windows” and click “properties. In the “properties” window is “Remix.” Click “enable remix” and that will take a few seconds to remix the track. Now we create the magic.
Here you’re going to change the target duration to whatever you want the new length of your music track to be. My project is 3:49 minutes long so I will change the duration of the music track to 3:49. Next, click enter and it will seamlessly loop the track to your desired length. To see where audition made the cuts, you can zoom in to see the little razor lines. Beautiful.
Next go to “file > export > export to Adobe Premiere Pro”. Click “export” and next it will open your project, where you will click “ok” for a new audio track and it will bring your seamless, looped audio track into the project for your use. How easy and convenient is that?!
By the way, if you have other projects you are working on an you want to use the same music track, you can leave Adobe Audition open and change the duration time to meet the needs of the new project. So there you have it. I hope this tutorial has been helpful. Please visit our website to see the type of work we do. Thanks for watching.
This blog will offer a time-management tip that I picked up many years ago which has transformed my most arduous and foreboding tasks into manageable segments and beacons of accomplishment.
How is it that some people can accomplish mounds of meaningful work when others seem to procrastinate themselves into a depression? As a partner in a video production company, I know that when we embark on complex projects, it is easy to get overwhelmed by the details. This is likely the case for many people reading this blog post as well.
The solution to many time-management problems is to create a proper To-Do List.
My To-Do lists often begin as simple streams of consciousness that are then put to paper or the computer screen, itemizing things that must get done. These actions may be small and relatively unimportant, or they may be major events to accomplish a larger, specific goal.
By documenting your stream of consciousness in writing, you’ll be able to better visualize your tasks and goals. It’s unrealistic to think that you’ll remember everything you need to do, so keep this list as a working document, and freely add to it when other items or thoughts come to mind.
To start out, and to give you a manageable starting point, begin with a list of the items that you hope accomplish within a single day or two.
Once you have this “to-do-list-in-progress” document, you are ready to get into the organizational mode. We’ll be using a numbering and lettering system to help you.
First, review your list to get a “lay of the land,” and acquire an overview of everything that you have annotated. This may inspire a few more line items and help formulate “next steps.”
Next, look over your list and identify the “important-but-easy” tasks that you can accomplish relatively quickly. Assign these important-but-easy tasks with the letter “A.” For any “not-as-important-but-easy“ tasks, assign the letter “B.” Continue down your list until all the easy tasks are assigned a letter.
Optionally, you can choose to further prioritize these simple tasks by assigning a number beside the letter. “A1” would be the most important-but-easy task that you have to do, and so forth.
Finally, identify any “important-and-high-priority” tasks for the day and assign them numbers: #1 is the most important task, #2 is the second most important, etc. These tasks that are given a number may not be easy and they’ll likely take longer than the tasks you assigned a letter.
As you review your list, you may realize that relatively simple tasks have stolen much of your valuable time in the past, which prevented you from working on the really important stuff. This technique should help put an end to that.
As you begin working with this system, you will quickly come to understand how many of these big projects you can realistically tackle in an 8, 9, or 10 hour day. As a rule of thumb, I find that I can realistically accomplish around seven or eight of these high priority tasks in a given 8 hour day.
It can be demoralizing when your daily expectations are set beyond what you can realistically achieve. This does you no good and will often give you a bad attitude which will slow the entire progress of every item on your list.
One other thought: if you find that you have far more “filler tasks” in a given day than you can accommodate, try amassing several “filler tasks” together and make them collectively another higher priority item.
As you become comfortable with the system, you may soon discover that you are actually accomplishing more than you ever thought you could. In reflection, you will come to realize how majoring in the minors has cost you dearly in the past.
As an author of several books, a broadcaster and videographer, I can tell you from experience that orchestrating your days in the manner outlined will allow you to accomplish your dreams, giving them the priority that they deserve.
As a videographer and communications guy, I am always on the lookout for ways to streamline activities and cause the teams with whom I work to function fluidly and effectively.
Over the last few weeks, I have had the opportunity to work with a couple of groups from around the nation and I would like to share some of my observations about unity and teamwork.
24/7 Artisan teamwork (BizVid’s Caz Taylor, Billie Alexander, Josh and Luke LaRoya) in Washington DC
In one instance, I was at an outdoor venue in Washington D.C. where I was working on a 24 hour, non-stop, live worship and praise music gathering. Musicians and artists sometimes are known for pride issues or other idiosyncrasies which can make them hard to work with. I’m happy to report that this recent Washington D.C. experience was the complete opposite.
Even though each of the roughly 70 participants were excellent in their fields of art, music and administration, it took additional components to make the the long days flow smoothly.
California/DC Artisan teamwork at 24/7 David’s Tent in the DC National Mall. Tent founder Jason Hershey (l) receiving Kingdom Kajon as gift from California team (l to r) Michael, Dan, Kerah, Mary and Daniel
When someone needed to fill-in, they did. When a microphone needed to be moved they did. When administration needed to be accommodated, they did. A person’s skill level or status became irrelevant when everybody shared a common goal. It was a remarkable experience of having a single mind vested into by numerous people.
I experienced a similar phenomenon a few days later in San Diego when a beauty-product client named Japonesque brought BizVid Communications in to produce an instructional video series.
From the talent, to the makeup artist, to the production team, to even the clients themselves, everybody was working together for a common goal. What could have otherwise been a very challenging production, became a very pleasant and effective one.
A recent videotaping, showcasing teamwork by BizVid crew with model and makeup artist
The common denominators in both instances were selflessness, a willingness to be in harmony with one another, and high senses of camaraderie and purpose. Add to these the unifying goal of accomplishing a specific task, and you have a winner.
For those of you ramrodding multifaceted, multi-person projects, the best solution will be found around the caliber and selflessness of the people with whom you work. A single negative attitude can abort the entire effort.
Choose teams and join your teams wisely. Allow for and encourage plenty of freedom and interaction amongst teammates. Deferring to and uplifting one another play big parts in all this. You will be surprised at the excellence of your outcome, and how many times each person will look for opportunities to work with you again.
Today I’m going to show you how to create animated mattes (and text mattes) in Adobe Premiere Pro. First, you’ll see an animated matte I got from Rampant Designs. We’ll also introduce a text matte… the text was created in Essential Graphics. Let’s begin with the animating the matte.
The first item of business is to place a video clip on video track 1. Next, place the matte clip on video track two. Many royalty-free, purchasable mattes are created in 4k but your project may be 2k. If so, right click the matte clip and check the “scale to frame size” option. This will resize your matte to fit your project’s resolution.
Next, go to the “Effects” panel in Premiere and type in the search the word, “Track.” That will bring up the effect we want: “Track Matte Key.” Next, I will click and drag the effect onto the video clip on video track one. When I do, you will see that the effect appears in the “Effects Controls” panel where I can assign the effect to the video track that I want it placed. In this case, you can see that the matte is on video track two so that means I want the “Track Matte Key” assigned to video track two. I’ll click the dropdown arrow and then make the assignment. Notice the black all around the matte; that’s actually a hole that can be filed with another video clip or a color background.
Let’s try adding a color to fill in the hole that our matte has left. I will click on the “new item” icon and select “color matte.” The dialogue box that appears will default to the project size so I will click “ok.” Next, I have a choice of colors so I think I will use the eyedropper to clone the sand color on the beach. When I click “ok” the color matte is ready to use. In order to use it, I need to create the space so I am going to move the matte clip up to video track 3 and the video clip up to video track 2. Next, I will place the color matte on video track 1. Now, I’ll need to go back to the “effects control” panel and change the track assignment of the matte to video track 3.
Now let’s create video inside of text. I’ve already typed out my title, “water” and will place it on the timeline in video track 3. For this effect, it’s best to use a bold font and make it as large on the screen as you can. Underneath it, I will place my video clip on video track 2. Next, I will go to the “effects” panel and type in “track” to get the “track matte key” which I will then drop onto the video clip. Then, I will go to the “effects control panel” and assign the effect to video track 3. Next, I’ll drop in the background.
Now let’s say that we want to animate the text and add a drop shadow. To do that, I will need to nest the video and matte tracks…but not the background track. So I’ll right click, select “nest,” name the nest and click okay. Now I can go to “effects” type in “drop,” add the effect then go to “effects controls” and manipulate. To animate the text, I go to “motion” and work with “scale” and “position.” Adjust the parameters to your liking and have fun!
I hope this tutorial has been a help to you. Be sure to explore our blog further and check out some of our video examples. Happy editing and thanks for watching.
